- A first-rate comics manifesto. The Influencing Machine has influenced me to think much more deeply about the media landscape live in. Gladstone and Neufeld can show and tell with the best of ‘em.
- Brooke Gladstone’s The Influencing Machine is so remarkable that it is hard to describe. The best I can do is: it’s a book about the history and current controversies of the media, all done as a Spiegelman-style comic-strip narrative. Brooke herself (or at least an avatar) leads you through it all, and her ‘voice’—well known after her years as host of NPR’s On the Media—comes through loud and clear, thanks to Josh Neufeld's witty drawings. I learned a lot, including a lot that I should have known already, and enjoyed every minute.
- The Influencing Machine is an indispensable guidebook for anyone who hopes to navigate the mirages and constantly shifting sands of our media landscape. Brooke Gladstone’s text and Josh Neufeld’s images illuminate one another with crackling wit and intelligence.
- Like Malcolm Gladwell or Michael Lewis or Michael Pollan, Brooke somehow takes a subject most of us don’t give a damn about and makes it completely entertaining.
- Think Art Spiegelman meets Marshall McLuhan.
- Though the graphic format employed here is often playful and always reader friendly, this analysis of contemporary journalism is as incisive as it is entertaining, while offering a lesson on good citizenship through savvy media consumption….While some may see a sign of bias in the author’s own media affiliation, this historical analysis of how and why media and society shape each other should prove illuminating for general readers and media practitioners alike.
- ...The Influencing Machine is an original work, a highly researched yet highly accessible survey of all things media—from the history of media/journalism beginning in ancient Rome through the Mayan scribes to the First Amendment press freedoms of the U.S. Constitution and beyond—and how the media's mission and its means have advanced through history.
- When we care really intensely . . .we can assemble in networks of peers and then draw attention to unreported information. As when, in 2003, documents posted by concerned "netizens" ultimately forced the makers of Diebold voting machines to change some of their practices. Or in 2009, when protestors in post-election Tehran captured the world's attention by posting cell phone images and video of a young woman's death in the street.
- When technology changes, so do the media, regardless of policies set in the newsroom.
- Do polls show declining trust in news outlets because the public thinks they’re bad? Absolutely. But fluctuations in those polls suggest that appraising news coverage in not a cold calculation. It’s emotional. Take one of journalism’s finest hours: Watergate. Some people are still angry about it. They say it eroded respect for our basic institutions. What it really eroded was respect for people in those institutions.
- “This is a comic book with zest and brains---and it just might help a reader understand the brave new world.”
he Society of Professional Journalists has outlined a code of ethics that has been voluntarily embraced by many journalists as a guide to ethical journalism.
Here are the main points of the SPJ Code of Ethics:
* Seek truth and report it
* Minimize harm
* Act independently
* Be accountable
Do you think the media you consume lives up to this standard?
Short URL for this page: http://fybne.ws/MWz3Vi
On May 1, 2003, 27-year-old New York Times reporter Jayson Blair resigned amidst charges that he plagiarized a story about the family of an American soldier in Iraq.Visit Website
The quotations come back redacted, stripped of colorful metaphors, colloquial language and anything even mildly provocative.
De Vise’s visit was fairly routine journalism. He toured campus, visited with students and interviewed administrators. But when de Vise returned to Washington, D.C., he employed some unusual, perhaps even unethical, techniques.Visit Website